1979 Rickie Lee Jones – Rickie Lee Jones
Rickie Lee Jones is the debut album of singer-songwriter Rickie Lee Jones. After arriving in California in the mid-1970s, Jones started taking songwriting more seriously, and by 1977 had met singer-songwriters Chuck E. Weiss and Tom Waits (Jones consequently became romantically involved with Waits).
Jones had begun playing live in the Los Angeles area at the age of 21, and after meeting singer-songwriter Alfred Johnson, the pair began writing and performing live together (most notably at the Ala Carte club.) Two of their collaborations, “Weasel and the White Boys Cool” and “Company,” would later be recorded for Jones’ debut album. She also sang jazz standards, as well as a song penned by her father (“The Moon Is Made of Gold”) in her live sets.
Jones’ performances around Los Angeles aroused interest from other local songwriters, as well as local record company executives. At a label showcase, Jones performed originals, including “Chuck E.’s in Love”, “The Real Thing Is Back in Town” and “The Moon Is Made of Gold.” This showcase performance, plus a demo containing “The Last Chance Texaco”, “Easy Money”, “Young Blood” and “After Hours” led to a record deal with Warner Bros.. For her major label debut, Jones scrapped “The Real Thing Is Back in Town,” but used the titular line in one of the album’s tracks – “Coolsville.”
Recording sessions (which began in September 1978) yielded eleven songs for inclusion on an album. Two of the songs – “On Saturday Afternoons in 1963” and “After Hours” – were recorded live on December 22, 1978
Tracks
1 Chuck E.’s In Love (Rickie Lee Jones) 3:31
2 On Saturday Afternoons In 1963 (Rickie Lee Jones) 2:33
3 Night Train (Rickie Lee Jones) 3:18
4 Young Blood (Rickie Lee Jones) 4:07
5 Easy Money (Rickie Lee Jones) 3:19
6 The Last Chance Texaco (Rickie Lee Jones) 4:11
7 Danny’s All-Star Joint (Rickie Lee Jones) 4:04
8 Coolsville (Rickie Lee Jones) 3:51
9 Weasel And The White Boys Cool (Rickie Lee Jones; Alfred Johnson) 6:03
10 Company (Rickie Lee Jones; Alfred Johnson) 4:53
11 After Hours (Rickie Lee Jones) 2:16
Biography
Musicians
Bass | Willie Weeks |
Bass | Red Callender |
Drums | Andy Newmark |
Drums | Jeffrey Porcaro |
Drums | Mark Z Stevens |
Drums | Steve Gadd |
Drums | Victor Feldman |
Guitar | Buzzy Feiten |
Guitar | Fred Tackett |
Guitar | Rickie Lee Jones |
Mandolin | Fred Tackett |
Keyboards | Mac Rebennack |
Keyboards | Neil Larsen |
Keyboards | Ralph Grierson |
Keyboards | Randy Kerber |
Keyboards | Victor Feldman |
Keyboards | Rickie Lee Jones |
Synthesizer | Michael Boddicker |
Synthesizer | Randy Newman |
Accordion | Nick DeCaro |
Sax | Ernie Watts |
Sax | Tom Scott |
Trumpet | Chuck Findley |
Percussion | Mark Z Stevens |
Percussion | Victor Feldman |
Percussion | Rickie Lee Jones |
Background Vocals | Arno Lucas |
Background Vocals | Joe Turano |
Background Vocals | Leslie Smith |
Background Vocals | Michael McDonald |
Background Vocals | Michael Wiener |
Vocals | Rickie Lee Jones |
Liner Notes
Producer – Lenny Waronker, Russ Titelman
Producer (Production Assistant) – Penny Ringwood
Arranged By (Horns) – Rickie Lee Jones
Arranged By (Orchestra) – Nick DeCaro (Tracks 2, 3, 11)
Arranged By (Orchestra) – Johnny Mandel (Tracks 8, 10)
Engineer – Lee Herschberg, Loyd Clifft
Engineer (Additional Engineering) – Roger Nichols, Tom Knox
Mastered By – Lee Herschberg
Mixed By – Lee Herschberg
Art Direction, Design – Mike Salisbury
Photography – Norman Seeff
Mastered At Warner Bros Recording Studios
Mixed At Warner Bros Recording Studios
Recorded At Warner Bros Recording Studios
Recorded At The Burbank Studios
Phonographic Copyright Warner Bros Records Inc
Copyright Warner Bros Records Inc