It Begins Again is the tenth studio album recorded by Dusty Springfield and the ninth released. Recorded during the middle of 1977 and released in early 1978, It Begins Again was her first completed and released album since Cameo five years earlier. Two of the album’s titles, “Turn Me Around” and “A Love Like Yours (Don’t Come Knocking Every Day)”, were tracks from the abandoned 1974 Longing sessions and Springfield decided to record new versions of both songs for It Begins Again, placing Chi Coltrane’s “Turn Me Around” as the opening track.
It Begins Again, which was Springfield’s debut album for the United Artists label in the US and Mercury Records in the UK, was recorded in Los Angeles and produced by Englishman Roy Thomas Baker, at the time best known for helping create the four first albums by Queen. Musically It Begins Again was however geared towards the American adult contemporary, pop and disco markets. Contributing on the album were some of the most renowned American session musicians of the era, such as Jay Graydon, Jeff Baxter, Joe Sample, Ed Green and David Paich and it featured backing vocals by Pattie Brooks, Dianne Brooks and Brenda Russell – all acclaimed recording artists and composers in their own right. The songs on the album were also written by a number of notable composers and lyricists, among others Nona Hendryx, Lesley Gore, Ellen Weston, Dean Parks, Peter Allen and Carole Bayer Sager. Barry Manilow’s “Sandra”, often singled out as the highlight of the set, is a gentle piano ballad that portrays the life of a suburban housewife who minutely details her daily chores, all the while assuring both herself and the listener that “I swear I love my husband and I swear I love my kids” – yet in the last verse she reveals that she one day found herself cutting her wrists “doing the dishes, quite by mistake. It was real touch and go for a while.”
Containing a diverse range of styles, It Begins Again was seen as somewhat experimental by Springfield herself, as well as music critics, who generally gave it favourable reviews. Despite the critical reception, the hopeful album title, as well as a series of promotional performances made in both the US and the UK promoting the up-tempo singles “A Love Like Yours” and “That’s the Kind of Love I’ve Got for You”, It Begins Again only briefly made the charts in Britain, peaking at No. 41, and did not chart in the US. Springfield stated that she had wanted to try something different, but felt that she now needed to move into a different style, a commercial, lightweight R&B, which resulted in the following album Living Without Your Love.
In 2002, Mercury/Universal Music UK released the album on CD for the first time, then also including Tom Moulton’s extended remix of “That’s the Kind of Love I’ve Got for You”, originally only released as a promotional 12″ single, which took advantage of the popularity of disco at the time. The song which was the closing track on It Begins Again was, however, the only true disco song on the album. The 12″ version was somewhat popular with US deejays and the track in fact managed to reach No. 31 in the US Hot Dance Club Play chart.
When the Pet Shop Boys in 2005 released their instalment in the mix album series Back to Mine they both included a Dusty Springfield track, Neil Tennant chose her 60s classic “Goin’ Back” – and Chris Lowe rather surprisingly the ballad “I’d Rather Leave While I’m in Love” from It Begins Again.
1 Turn Me Around (Chi Coltrane) 3:28
2 Checkmate (Nona Hendryx) 3:23
3 I’d Rather Leave While I’m In Love (Carole Bayer Sager, Peter Allen) 2:53
4 A Love Like Yours (Brian Holland, Lamont Dozier, Edward Holland) 3:17
5 Love Me By Name (Ellen Weston, Lesley Gore) 4:16
6 Sandra (Barry Manilow, Enoch Anderson) 4:37
7 I Found Love With You (Bob Esty, Michelle Aller) 3:18
8 Hollywood Movie Girls (Gaile Heideman) 3:41
9 That’s The Kind Of Love I’ve Got For You (Dean Parks, Donald Fletcher) 5:01
|Guitar||David T. Walker|
|Percussion||Oscar Castro Neves|
|Background Vocals||Patti Brooks|
|Background Vocals||Diane Brooks|
|Background Vocals||Brenda Russell|
|Background Vocals||Michele Aller|
Co-producer (Production Associate) – Dusty Springfield
Concertmaster – Sidney Sharp
Contractor (Musical Contractor) – Trevor Veitch
Coordinator (Album Coordination) – Jeanette Post, Norma Goldstein
Arranged By – Barry Fasman (Tracks 1, 6, 8)
Arranged By – Bob Esty (Tracks 2, 7)
Arranged By – Barry Fasman (Track 3)
Arranged By – Trevor Veitch, William Smith (Track 4)
Arranged By (Horns) – Jerry Jumonville (Track 4)
Arranged By – Sonny Burke (Track 9)
Arranged By – Peter Matz (Track 5)
Engineer – David Hines, Joe Robb
Art Direction – Bill Burks
Photography By – Michael Childers
Recorded and mixed at Cherokee Recording Studios, L.A.
Mastered at Sterling Sound, N.Y.
Produced for R.T.B. (Audio Visual) Prod. Ltd.
Marketed by Phonogram Limited.